Shots of an Army Field Hospital in the WW1, World War One. Wounded soldiers and those after treatment smoke and play cards.
Produced by the French Film Chamber, the film shows Zuaven, an infantry unit of North African colonial soldiers, in Flanders, Belgium. In addition to a parade, the film shows various recreational acti...
The toned footage shows the destruction of the Russian port city of Novorossiisk after being shelled by the Turkish cruiser Midilli (formerly SMS Breslau) on October 29, 1914. The devastating attack w...
Footage from the first German series of news films, the "Day in Film" format produced by Express-Film (Freiburg), showing a bobsledding race with spectators in an Austrian mountain landscape. Short "a...
This fragment of the "Eiko Week," one of the first newsreels produced in Germany, shows soldiers (possibly Russian prisoners of war) surrendering their rifles, infantry in the plains, a unit crossing ...
The newsreel deals with the occupation of the Rhineland-Westphalian industrial area by French and Belgian soldiers. Among other things, footage of the Rhine-Herne Canal is shown, which nationalist gro...
Where is Alex? In vain, Alice von Reizenstein searches for her husband until she finally discovers him dead drunk under his desk. Shortly after, the postman brings the couple good and bad news. The go...
As the daughter of filthy rich parents, a young dentist can afford to treat her patients for free. Her fiancé is dismissive of women's professionalism, claiming that no one would let her treat them i...
Maria Immhofen, Olaf Fønss (in the middle) in "Die Vernichtung der Menschheit" (1916)
Screenshot from "Harry wird Millionär"
Screenshot from "Harry wird Millionär"
The battle of Zborov: Austrian soldier (left) and Russian one in the Austrian trenches.
Medium close-up of Nurse Tonička (Truda Grosslichtová) and Corporal Bartoněk (Jiří Vondrovič) standing in a corridor. They are smiling at one another and she is touching his bandaged hand.
The battle of Zborov: Several soldiers in the trench with stuffy noses. One of them holds a rotten can.
Wide shot depicting the activity in front of a stopped train. Combat medics are carrying Lieutenant Rjepkin (actor: Vladimír Borský) from the train on a stretcher; Rjepkin is covered with a blanket....
After the mobilization: women hold on men and cry. On the left Janda (smith), the second one is Tomeš (farmer).
Der Zensur ist tot- es lebe die Zensur !, Der Kinematograph, 623, (1918), S. 17-18. Die Abschaffung der Zensur stelle Filmemacher vor die Frage, was derzeit erlaubt sei und was nicht. Es solle keine Z...
Kriegsanleihe-Filme, Der Kinematograph, 561, (1917), S. 14. Da "Der feldgraue Groschen" einen so durchschlagenden Erfolg hatte, seien noch weitere Filme zur Kriegsanleihe gedreht worden. "Hann, Hein u...
Argus, Neuheiten auf dem Berliner Filmmarkte, Der Kinematograph, 614, (1918). "Kinder der Liebe" als Tendenz- und Aufklärungsfilm bezeichnet, dessen Absicht überzeuge. "Der Gefangene von Dahomey" se...
R. Genenchen, Kriegsunterstützung und Kinobesuch, Der Kinematograph, 506, (1916), S. 17. Bericht darüber, dass die Gemeinde Weida/Sachsen Soldatenfrauen, die Kinos besuchen, die städtische Unterst...
Neuheiten auf dem Berliner Filmmarkte, Der Kinematograph, 559, (1917), S. 12-13. Rezension des von der Bufa herausgebrachten Films über den U-Boot-Krieg.
Julius Urgiss, Hindenburg, dem Förderer der Lichtbildkunst, Der Kinematograph, 561, (1917), S. 12-13. Lob des Generalfeldmarschalls für seinen Einsatz zugunsten des Mediums Film. Hervorgehoben wird ...
Emil Perlmann, Wenn die Waffen ruhen...!, Der Kinematograph, 619, (1918). Erörterung der Lage der Filmindustrie angesichts des greifbaren Kriegsendes. Die Filmindustrie müsse den Kampf gegen die Zen...
Walter Thielemann, Der Film 1917, Der Kinematograph, 573, (1917), S. 12ff. Jahresrückblick. Positiv hervorgehoben wird die immer breitere Anerkennung, die dem Kino zuteil werde, da der immer mehr sei...